Joyner Library has a new official Facebook page. ’Like’ the new page to keep up-to-date on Joyner happenings and have the latest library news sent directly to your news feed. The first 200 ECU students to ‘like’ the page will receive a t-shirt or prize pack so go ahead and ‘like’ us today!
Greenville, N.C. ( 6/5/2012) – National Endowment for the Arts (NEA) Chairman Rocco Landesman announced that East Carolina University’s Joyner Library is one of 788 not-for-profit national regional, state, and local organizations nationwide to receive an NEA Art Works grant.
Joyner Library received a $15,000 grant to NEA Art Works grant to support the Eastern North Carolina Literary Homecoming, a program that celebrates and promotes the culture and literature of North Carolina. With activities in 5 counties, the program provides a rich opportunity for people of eastern North Carolina to learn about and meet North Carolina writers. The 788 Art Works grants total $24.81 million and support the creation of art that meets the highest standard of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, the strengthening of communities through the arts.
The theme for this year’s Homecoming: “Litflix: Adapting North Carolina Literature into Film” will explore how film can both enhance and distract from the written word. The program will engage participants in panel discussions and writing workshops. Other events are planned in Wilson, Rocky Mount, New Bern, Morehead, City, Beaufort and Greenville and include a showcase of short films and programs presented by authors on the adaptions of their books into film.
Chairman Landesman said, “The arts should be a part of everyday life. Whether it’s seeing a performance, visiting a gallery, participating in an art class, or simply taking a walk around a neighborhood enhanced by public art, these grants are ensuring that across the nation, the public is able to experience how art works.”
The NEA received 1,624 eligible applications under the Art Works category for this round of funding, requesting more than $78 million in funding. For a complete listing of projects recommended for Art Works grant support, please visit the NEA website at arts.gov.
For more information about the Eastern North Carolina Literary Homecoming or Joyner Library, contact Dawn Wainwright (252.328.4090).
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The letter, written by Annie E. Bogart, went to auction Jan. 31, part of a large, private collection of Civil War memorabilia being auctioned by Cohasco Inc., a dealer in and auctioneer of manuscripts, books, antiquarian materials and collectibles in Yonkers, N.Y.
While Annie Bogart had no direct descendants — she instead helped raise the family of her older brother, Col. David Nevius Bogart — it was her brother’s great-great-grandchildren, two sisters who grew up in Washington and now live in Virginia, who purchased the letter and donated it Tuesday to the Manuscripts and Rare Books Department of East Carolina University’s Joyner Library.
Kathleen Hinds Kennedy and Melody Hinds Moen remember stories of “Aunt Annie” from childhood, as told by their grandmother who was the youngest of Col. David Nevius Bogart’s brood.
“We felt compelled to buy the letter,” Moen and Kennedy agreed. “We wish that we could have bought all three.”
Moen and her husband met with Maury York, assistant director of Joyner Library’s special collections, hoping to find a home in eastern North Carolina for the letter.
“We wanted it to stay in North Carolina,” said Moen, of deciding to donate the letter to the library. “They very much wanted the letter. We viewed the facilities, and (York) assured us it would be available to students and international scholars.”
The letter comes at the right time for the special collections department, which is currently featuring a 150th-anniversary Civil War exhibit.
“This letter is an unusually descriptive and important letter that documents the burning of Washington in 1865,” said York. “Given that we’re in the midst of sesquicentennial, it’s of particular interest right now.”
In the letter, Bogart speaks not only of meeting Confederate President Jefferson Davis and Gen. P.G.T. Beauregard on a trip to Greensboro, but of the trip by rail to the then-capitol of North Carolina, during which the railway was lined by the dispossessed, those who had lost their homes and livelihoods to war.
Not all was gloom in the Civil War era: Bogart also speaks of a summer trip to Tarboro prior to the burning of Washington, where she and others went riding and sailing on the river every day and enjoyed the company of the “fine young officers.”
“There was a lot of resiliency, along with the suffering,” said Kennedy.
York said the department is deeply grateful for Moen’s and Kennedy’s generosity, saying the library staff would “do all we can to take care of it and make it available for anyone doing research” in related fields.
Annie Bogart’s letter will be encapsulated, meaning each sheet will be pressed between two layers of Mylar, and stored in an acid-free folder and box in climate-controlled, secured stacks. The public does not have access to the secure area — materials are brought out to researchers under close supervision instead.
York made a point of saying that his department is always interested in talking with anyone in possession of family manuscripts in Washington and Beaufort County.
“We try very hard to document the history of eastern North Carolina,” he added.
Annie Bogart’s letter documents a pivotal point in Washington’s history, but for Moen and Kennedy, the letter does much more, allowing them a glimpse into the life and personality of a woman who previously existed only in childhood stories.
Said Moen, “It really does mean a lot to read something like this and that ancestor just comes alive to you.”
Article taken from Washington Daily News – http://www.wdnweb.com
URL to article: http://www.wdnweb.com/2012/03/28/civil-war-letter-returns-home-to-eastern-n-c/
Opening reception on March 15, 2012 • 5:30 pm • Exhibit Gallery, 2nd floor
Featuring Photographic work by:
DANIEL KARIKO, Area Coordinator for Photography
This series of photographs represents a long-term investigation of disappearing wetlands and barrier islands in south Louisiana, due to human and natural activity.
I started photographing in Barataria- Terrebonne National Estuary in South Louisiana in the summer of 1999. Since the beginning of my project, the area suffered a number of major hurricanes including Katrina and Rita, and recent large oil spill catastrophe. The pinhole photographs in this series range from 2006 until May of 2011, just as the last of the visible oil from the Deepwater Horizon platform was being cleaned from barrier islands.
Louisiana is experiencing the highest rate of coastal erosion in America, losing about one hundred yards of land every thirty minutes- land loss the size of a football field every half-hour. The barrier islands of Southeast Louisiana are some of the youngest and most unstable landforms on earth. They average 5000 years in age, and are rapidly changing shape and disappearing due to the man-altered flow of the Mississippi delta. Timbalier Island, for example, averaged 20m/year towards Northwest, during the last century (U.S. geological survey). During the early 1800’s some of the barrier islands served as summer resorts to wealthy families from New Orleans. In 1856 a devastating hurricane hit Isle Dernieres causing great loss of life and property, and nearly splitting the island in half. Since then more than a dozen major storms, including Katrina, changed the geography of the coast. Today, all except Grand Isle are sand bars with a little more than skeletal remnants of industry and a few deteriorating fishing camps. These Islands represent the “First Line of Defense” against large hurricanes.
In addition to environmental and political landscape, this series of photographs addresses the cultural concerns of local population. Cajuns of Louisiana comprise one of the oldest, most unique, and historically significant ethnic cultures in the United States. It is also a culture that is under a dire threat, simply because the land they occupy is physically disappearing. This project combines the cultural documentary with environmental concerns by presenting the Louisiana wetlands issues in context of our global cultural-environmental situation.
The global environmental concerns that place Louisiana in center of world’s attention make this project relevant and timely. Our, often adversarial relationship with the world outside ultimately reveals our inability to adapt to the natural process. These photographs set out to illustrate the results of such failed relations.